• $99

Small Oil Painting: Seeing, Simplifying, and Painting with Confidence

  • Course
  • 16 Lessons

A focused course series designed to help you develop strong color sense, compositional judgment, and expressive brushwork through small-format oil paintings.

Taught by 冉茂芹 (Yim Mau-Kun), these lectures and demonstrations show how small paintings are not “practice sketches,” but a complete and powerful way to train the eye, hand, and mind—a method used by 19th-century European masters and refined through decades of teaching and painting from life.

The Complete Course: Small Oil Painting (Landscape + Still Life)

This course is designed as a complete small oil painting study, combining in-depth video instruction with carefully structured reference materials that support repeated viewing, deeper understanding, and independent practice.

Video Instruction (Approx. 4 hours 31 minutes)

  • 6 full lecture + demonstration videos

  • 2 small landscape oil paintings

    Guandu Plain-52 minutes

    Pigeon House-52 minutes

  • 4 small still life oil paintings

Vase, Bottle, and Fruits (33 min)

Flower, Bottle, and Wine Glass (41 min)

Vase, Bottle, Fruit,s and Egg (38 min)

Rose (43 min)

Each video shows the full process—from initial observation and block-in to color development and finishing decisions.


Course Notes & Conceptual Guides (PDF)

  • Beginner’s Guide to Essential Oil Painting Principles
    A clear introduction to seeing, color relationships, and painterly thinking.

  • The Role of Small-Scale Oil Painting
    Explains why small oil paintings are essential in both classical training and contemporary practice.

These readings provide the conceptual foundation behind the demonstrations.

Process & Method Guides (PDF)

  • Small Landscape Painting Process

  • Small Still Life Painting Process

Step-by-step visual breakdowns that clarify composition, block-in strategy, color relationships, and the logic behind each stage of the painting.


Detailed Landscape Process Sets

  • Guandu Plain–complete process images with explanation

  • Pigeon House–complete processimages with explanation

Each set includes:

  • Reference photos

  • Early sketch and block-in stages

  • Color development

  • Final refinement and completion

These materials allow you to study the decision-making process in detail, beyond what ispossible in video alone.


Reference & Inspiration Images

  • Curated images of small landscape oil paintings.

  • Curated images of small still life oil paintings.

Intended for study, comparison, and inspiration—useful for developing your own visualjudgment and color sensitivity.


Tools & Materials Reference

Click on each item in the "Content" tab to add images, text, and buttons with links. You can style your images and arrange your grid items in columns or rows in the "Design" tab.

A clear visual guide to

  • Painting tools

  • Brushes Palette setup

  • Painting medium

  • Panels and small-format equipment

A practical reference you can return to whenever you paint.


This course is ideal for artists who want to:

A clear visual guide to:oPainting tools

  • Improve color judgment

  • Learn how to simplify complex sceneswithout losing vitality

  • Paint with confidence and speed, without becoming tight or overworked

  • Understand how small paintings support larger, finished works

Across these lessons, you will learn:

  • How to organize large color masses before details

  • How light, distance, and atmosphere affect color

  • Why brush size and paint thickness matter—even in small works

  • How to decide what to leave out so the painting breathes


Teaching Approach

冉茂芹 emphasizes thatart is not copying nature, but translating it into a painterly language. Small oil paintings force clarity:

  • You must decide quickly

  • You must see relationships, not isolated objects

  • You must trust color and brushwork

This method develops artistic judgment, not dependency on photos.


Who this course is for

  • Intermediate to advanced students of oil painting

  • Artists trained in drawing who want stronger color control

  • Painters who feel their work is overworked or stiff